The Landscape of Greek Quantifiers
نویسنده
چکیده
In this article, we study the structures that the Greek language employs to express quantification. By Greek, I am referring to the contemporary Greek spoken in the countries of Greece and Cyprus (an estimated total of 14 million speakers), and Greeks in diaspora (an estimated 5–6 million). It has long been customary, especially in the study of classics, to use the term ‘Greek’ to refer to the ancient language – and for a while, linguists referred to themodern language as ‘Modern Greek’, or Koine Modern Greek (Koinή NeoellZnikή; Babiniotis and Kontos 1967). However, ‘as a living language, contemporary Greek does not need to be qualified by an adjective which implies that it is somehow secondary to the ancient language’ (Holton et al. 1997: xiii). For this reason, it gradually became standard practice in linguistics to use Greek to refer to the modern language, adding the adjective ancient or modern only when these chronological stages need to be distinguished. Greek is an Indo-European language, the sole descendant of Ancient Greek. Ancient Greek exhibited variation in its dialects – which, however, were always mutually intelligible and in later stages (e.g. in later antiquity and theHellenistic period) developed into a common language koine (see among others Horrocks (1997)). It is now the standard view that ‘the vast majority of Greek speakers now speak a common language with only relatively minor dialectal variations. The only exception to this is the Greek Cypriots, many of whom ordinarily speak a dialect which, although linguistically close to standard Greek, presents some significant differences’ (Holton et al. 1997: xiii). Until 1976, two versions of Greek co-existed: demotic (dZmotikή), which was the actual spoken language at least since the turn of the twentieth century; and katharévousa (kayareύousa), a hybrid made up of lexical, morphological, and
منابع مشابه
Binding Illusions and resumption in Greek∗
The paper focuses on some apparent exceptions to the generalization that quantifiers resist CLLD in Greek. The main body of exceptions involves generic statements. Following Fox and Sauerland (1996) I argue that the Generic Operator, by involving quantification over situations, allows a trivialization of quantifiers like kathe(=each). Thus, in sentences with a generic operator the pronominal re...
متن کاملCOMBINING FUZZY QUANTIFIERS AND NEAT OPERATORS FOR SOFT COMPUTING
This paper will introduce a new method to obtain the order weightsof the Ordered Weighted Averaging (OWA) operator. We will first show therelation between fuzzy quantifiers and neat OWA operators and then offer anew combination of them. Fuzzy quantifiers are applied for soft computingin modeling the optimism degree of the decision maker. In using neat operators,the ordering of the inputs is not...
متن کاملBehavior of Evolutionary Algorithms in Chaotically Changing Fitness Landscapes
We study an evolutionary algorithm used for optimizing in a chaotically changing dynamic environment. The corresponding chaotic non–stationary fitness landscape can be characterized by quantifiers of the underlying dynamics–generating system. We give experimental results about how these quantifiers, namely the Lyapunov exponents, together with the environmental change period of the landscape in...
متن کاملDynamic landscape models of coevolutionary games
Players of coevolutionary games may update not only their strategies but also their networks of interaction. Based on interpreting the payoff of players as fitness, dynamic landscape models are proposed. The modeling procedure is carried out for Prisoner's Dilemma (PD) and Snowdrift (SD) games that both use either birth-death (BD) or death-birth (DB) strategy updating. The main focus is on usin...
متن کاملThe Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit)
The art of Greek sculpture is the most complete and appropriate visual form of expression of the divine in the Greek art religion and similar types in the earlier and later religions. In Greek sculpture, form and content are in balance and interact with each other. The Spirit and the material have no dominion over one another. The spirit (divine) recognizes as its proper home the human body, an...
متن کامل